
Topic started by raj (@ 198.151.230.253) on Wed Apr 17 05:21:40 EDT 2002.
All times in EST +10:30 for IST.
hi PS Fans
Check out The New Episode of Aboorva Ragangal on vijay Tv Sunday @ 10:00 AM
The First Guest of this New Episode is P.susheela
Dont miss..
Progamme is Anchored by Yugendran
Produced by Subhashree Thanigachalam
Responses:
- Old responses
- From: KP (@ 161.150.2.30)
on: Thu Jan 9 07:43:06 EST 2003
maadapuravo illai manjaL nilaavo - imaiyam
aazhakadalil - Sujatha
- From: Sreedhar (@ 24.30.132.23)
on: Fri Jan 10 00:34:57 EST 2003
KP, are you referring to 'Aazhakadalil Thediya Muthu'? - Sattam En Kaiyil- [does not appear In Film]. It is by MV with S Janaki.
Then, Siva, 'Nettrikann - Maapillaikku maaman manasu' is sung by MV with whom? PS or SP Sailaja or Uma Ramanan? See
http://www.raajangahm.com/ric/film/FL000481.html
- From: raj (@ 202.54.66.89)
on: Fri Jan 10 01:06:50 EST 2003
Maadapuravo is from Imaigal
- From: raj (@ 202.54.66.89)
on: Fri Jan 10 02:29:41 EST 2003
Mappilaku maman manasu is Definitely PS
- From: kalai (@ 210.210.48.160)
on: Fri Jan 10 03:01:02 EST 2003
sreedhar !
movie name is "Sujatha" , a saritha starrer movie. PS sing two songs for saritha.. I coulnt remember the lines ..
One more PS song for saritha is from the movie " PonmaniPoonga ". anyone remembers ?
One lullaby by PS from the movie "shankari"
- From: kalai (@ 210.210.48.160)
on: Fri Jan 10 03:02:59 EST 2003
and in Raajangahm.com many info about the singers are wrong . I have send few correction on PS songs long back. no change. So keep that as a reference ..
- From: kalai (@ 210.214.114.226)
on: Sat Jan 11 06:00:57 EST 2003
"Poomugam sivakka sogamenna naan irukka " a melody from the movie "Amma"
- From: Sreedhar (@ 24.30.132.23)
on: Sat Jan 11 06:35:46 EST 2003
yes, Kalai, Raajangahm.com is very unreliable. They should not tout themselves as the 'official' website of IR.
- From: Siva (@ 210.210.34.188)
on: Sun Jan 12 01:24:40 EST 2003
PS songs for Saritha.
Aduthathu Sengamalam- Shankari
Poomugam sivakka- Amma
Kannana poo magane- Theneer thaneer
Adiye Kannamma- Agnisatchi
Kan kanda deivame- Keezhvanam Sivakkum
Indha malligaipoovuku- Kootu puzhukkal
Aavaram poovu and Odukira thanniyile- Achamilla Achamillai
Manasukkul utkaarndhu and Kaanal alaigaliley-Kalyana Agathigal
Maadapuravo- Imaigal
Unnai nambi uchiyile-Melmaruvathoor Adhiparasakthi
Mapillaikku maman manasu- Netrikkann
Pullanga peyarilathaan-Uravai kaatha Kili
- From: kalai (@ 210.214.115.138)
on: Mon Jan 13 10:22:31 EST 2003
"Engiruntho vantha paravaigale " is a farewell song from "sujatha" , music by MSV. One more song from the same movie is " Kaanalile meen vettai, kaatrinile maaligaigal" a solo .
- From: Siva (@ 61.11.83.113)
on: Tue Jan 14 02:32:44 EST 2003
Kalai-that lullaby song is "Vaay pesa....by PS from Shankari
And one more "Adutthathu rukkumani....."
- From: Siva (@ 61.11.83.113)
on: Tue Jan 14 02:42:07 EST 2003
Anybody remember the following movies?
There is some lovely songs sung by PS for Saritha
1.Koil Puraa-Amuthey thamizhe......PS with UM,MD IL
2.Anjatha Nenjangal-Thanath thanaa....PS, MD SG.
- From: kalai (@ 61.11.41.41)
on: Wed Jan 15 10:03:31 EST 2003
Siva..
Thank u for reminding the good song "Amuthe thamizhe" from koil pura..
Are you sure about Anjatha singangal song is for saritha? I think it is for vanitha.
- From: outsider (@ 216.236.222.84)
on: Thu Jan 16 01:08:28 EST 2003
Hats off to Susheela fans for never letting their topic into archives for even one time.
- From: outsider (@ 216.236.222.84)
on: Thu Jan 16 01:08:48 EST 2003
Hats off to Susheela fans for never letting their topic into archives for even one time.
- From: Siva (@ 210.210.34.145)
on: Thu Jan 16 06:34:35 EST 2003
Kalai
Not "Anjatha singangal" It is Anjatha Nenjangal definitely Saritha & Suresh are starrer of this movie.
- From: Subbu (@ 216.52.49.5)
on: Thu Jan 16 23:12:45 EST 2003
Based on my knowledge, some clarifications:
1. Anjatha Nenjangal is bu Suresh, Nalini, SV sekhar, Vanitha (not Saritha)
2. "Amuthe thamizhe" from koil pura is for 2 child artists, who grow up later into Saritha and the hero
3. Duet with IR in 'Lakshmi' is not for Sridevi. It was for Master Sridhar and Nisha
4. 'oru kadhal devathai' from saindhadamma saindhadu is for Meera
5. In 'marO charitra', PS had sung only one song "Atheega poovulu" with dialogues by Kamalhassan
6. In Baala Naagamma, "Neer kodukka piranthathamma Oodai" is for KR Vijaya (PS) and Sridevi (SJ)
7. "NeelaMalargal" song by PS is for KR Vijaya
8. In Pattakathi bhairavan, there are 3 songs by PS. One was with SPB, which is for Sridevi & Jaiganesh. Other 2 are with SJ. PS for Jayasudha and SJ for Sridevi
- From: raj (@ 202.54.66.89)
on: Fri Jan 17 00:37:24 EST 2003
Subbu No 1. u've mentioned is Seerum singangal
anjatha nenjangal is definitely Saritha
- From: Subbu (@ 216.52.49.5)
on: Fri Jan 17 02:43:43 EST 2003
Correct Raj. Sorry for the mistake. Anjadha nenjangal came under "Devar Films" and the music was scored by SG. Ravinder also acted in that movie. PS had sung a solo starting with some english words for Saritha.
- From: Subbu (@ 216.52.49.5)
on: Fri Jan 17 02:45:54 EST 2003
One more Devar films, music: Bappi Lahiri (I think). There is a duet by PS + SJ. Any guess on that?
- From: Cinema Virumbi (@ 203.197.220.211)
on: Fri Jan 17 07:10:36 EST 2003
Subbu,
The only Devar-Bappi Lahiri combo is Rajini-Anita Raj film(s) 'Thaai veedu' and 'jeet hamaari'!
- From: Vicky (@ 12.89.94.130)
on: Fri Jan 17 21:27:16 EST 2003
Before writing this note, I would like to thank (Mr. a.a) a good friend of mine, and who is no stranger to this forum, a generous patron of tamil vintage classics whose unwavering commitment to educating members of great unforgotten melodies of yesteryears, forwarded the below-mentioned song pursuant to my request.
The song "En Vazhvil Pudhu Paadai Kanden" (a song that refuses to fade from my memory) from the movie "Thanga Padumai" a piece written for the piano and its accompanying orchestra brings back memories of Franz Lisztian tradition. It is a charming piece with well-thought spaciousness of the orchestra and the legendary vocal rendition of P Susheela. It also reminds us of a certain kinship her divine voice had with the composer (s) Viswanathan-Ramamurthy. The song equilibriums a sudden outburst of tonal ambiguities (filling in with the rising octaves in the the second half) and a composer (s) technical virtuosity, yet maintaining the considerable pianistic and rhythmic interest an acknowledging the excellent start for the rennaisance period in TFM.
P Susheela's vocalise not only stood at the end of composer (s) Viswanathan-Ramamurthy's spectacularly wonderful compositions, but was also one of the last great mezzo's who whole-heartedly embraced the ideals of musical rennaisance and romanticism.
For a creative artist like P Susheela (a pedigree hard to find among the current crop of playback singers) to be extolling such virtues so frankly in the late 1950's, when a multiplicity of (serialism, expressionism and neo-classicism of composer G Ramanathan) and a music which appeared so important and revolutionary at that time struggling to gain acceptance with production studios, whilst the core of the colloboration between P Susheela and Viswanathan Ramamurthy has triumphantly withstood the test of time. I blieve any encounter with the legend P Susheela would be truly inspirational. Without any hesitation, I would call her the "Ella Fitzgerald" of TFM.
It resembles the great pianist Sergei Rachmaninov's early struggle in the 1920's after his graduation form the Moscow Conservatory. Such was the uncertainty of the prevailing TFM climate, that a serious and a fresh/beautiful music would capture the general audience.
Though "En Vazhvil" was one of the most popular of all Viswanathan-Rmammurthy's many distinguished song settings, P Susheela's voice with its unique distillation of the composer (s) lyrical and orchestral style has a formidable impact till date and helped her become dominant figure in the musical life of TFM.
The songs P Susheela rendered between the years 1955-59 were to win immediate popularity. The song "En Vazhvil" in any case, provided a useful element of entertainment, as well as serving a more professional purpose as a means of performing orchestral cine musical works.
I have always thought that Viswanathan-Ramamurthy incorporated some of the highly colorful and aromatic elements that reverberate "Danzas Espanolas" of Enrique Granados (1867-1916).
The sounds in the song "En Vazhvil", is stylized, set in a context making concessions to the popular taste, and for all its indebtedness not only to VR , but also to P Susheela and achieves within its confines a distinctive quality and bears witness to a true orchestral sensibility.
Spanish Composer Alonso Muddara once acknowledges that even wrong notes, sometimes played well, will not sound bad after all.
Because of the sound of the piano often seems to appear in this particular composition, it was thought reasonable to pluck and carve a web of classical/chromaticism with P Susheela's voice.
The song "En Vazhvil" demonstrates the striking alteration between between the orchestral work and P Susheela's voice for the piano and is imbued with a tender and restrained atmosphere. It proves the mutual love Composer (s) Viswanathan-Ramamurthy had with the legend P Susheela's voice and which they dared to express.
P.S: There are two versions of the song. The mentioned song is a fast paced rendition of Smt. P Susheela.
- From: Vicky (@ 12.89.94.130)
on: Fri Jan 17 21:27:29 EST 2003
Before writing this note, I would like to thank (Mr. a.a) a good friend of mine, and who is no stranger to this forum, a generous patron of tamil vintage classics whose unwavering commitment to educating members of great unforgotten melodies of yesteryears, forwarded the below-mentioned song pursuant to my request.
The song "En Vazhvil Pudhu Paadai Kanden" (a song that refuses to fade from my memory) from the movie "Thanga Padumai" a piece written for the piano and its accompanying orchestra brings back memories of Franz Lisztian tradition. It is a charming piece with well-thought spaciousness of the orchestra and the legendary vocal rendition of P Susheela. It also reminds us of a certain kinship her divine voice had with the composer (s) Viswanathan-Ramamurthy. The song equilibriums a sudden outburst of tonal ambiguities (filling in with the rising octaves in the the second half) and a composer (s) technical virtuosity, yet maintaining the considerable pianistic and rhythmic interest an acknowledging the excellent start for the rennaisance period in TFM.
P Susheela's vocalise not only stood at the end of composer (s) Viswanathan-Ramamurthy's spectacularly wonderful compositions, but was also one of the last great mezzo's who whole-heartedly embraced the ideals of musical rennaisance and romanticism.
For a creative artist like P Susheela (a pedigree hard to find among the current crop of playback singers) to be extolling such virtues so frankly in the late 1950's, when a multiplicity of (serialism, expressionism and neo-classicism of composer G Ramanathan) and a music which appeared so important and revolutionary at that time struggling to gain acceptance with production studios, whilst the core of the colloboration between P Susheela and Viswanathan Ramamurthy has triumphantly withstood the test of time. I blieve any encounter with the legend P Susheela would be truly inspirational. Without any hesitation, I would call her the "Ella Fitzgerald" of TFM.
It resembles the great pianist Sergei Rachmaninov's early struggle in the 1920's after his graduation form the Moscow Conservatory. Such was the uncertainty of the prevailing TFM climate, that a serious and a fresh/beautiful music would capture the general audience.
Though "En Vazhvil" was one of the most popular of all Viswanathan-Rmammurthy's many distinguished song settings, P Susheela's voice with its unique distillation of the composer (s) lyrical and orchestral style has a formidable impact till date and helped her become dominant figure in the musical life of TFM.
The songs P Susheela rendered between the years 1955-59 were to win immediate popularity. The song "En Vazhvil" in any case, provided a useful element of entertainment, as well as serving a more professional purpose as a means of performing orchestral cine musical works.
I have always thought that Viswanathan-Ramamurthy incorporated some of the highly colorful and aromatic elements that reverberate "Danzas Espanolas" of Enrique Granados (1867-1916).
The sounds in the song "En Vazhvil", is stylized, set in a context making concessions to the popular taste, and for all its indebtedness not only to VR , but also to P Susheela and achieves within its confines a distinctive quality and bears witness to a true orchestral sensibility.
Spanish Composer Alonso Muddara once acknowledges that even wrong notes, sometimes played well, will not sound bad after all.
Because of the sound of the piano often seems to appear in this particular composition, it was thought reasonable to pluck and carve a web of classical/chromaticism with P Susheela's voice.
The song "En Vazhvil" demonstrates the striking alteration between between the orchestral work and P Susheela's voice for the piano and is imbued with a tender and restrained atmosphere. It proves the mutual love Composer (s) Viswanathan-Ramamurthy had with the legend P Susheela's voice and which they dared to express.
P.S: There are two versions of the song. The mentioned song is a fast paced rendition of Smt. P Susheela.
- From: Sugathan (@ 202.141.24.2)
on: Sun Jan 19 04:02:44 EST 2003
Hi kalai (@ 61.11.41.41)
I noticed some extrabrilliant songs from queen of music smt.ps.
1.Mallike
2.Ithu rahasyam
3.Krishnapaksha
4.Song in chottanikkara amma with kj(manassu)
5.Bhoomi(with p.madhuri)
6.Gandharva
These r gems i say!
(All songs in 1973)
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Database: Main - Singers - Music Director's - Lyricists Fun: PP - EKB - Relay - Satires - Quiz