Topic started by Pras (@ 66.185.84.71) on Sat Jan 25 08:43:29 EST 2003.
All times in EST +10:30 for IST.
Who Do You Think Is The Yesterday, Today, Tomorrow MD of TFM?
I think its:
Yesterday - Illayarajah
Today - A.R. Rahman
Tomorrow - Yuvan Shankar Raja
Responses:
- Old responses
- From: Mohan (@ 209.197.174.149)
on: Tue Mar 4 16:49:21 EST 2003
Yesterday: Ilaiyaraja
Today: AR Rahman
Tomorrow: KAPILESHWAR
Who is kapileshwar?
check him out at www.kapileshwaronline.com
I'll bet u i am right
- From: neha (@ 210.214.3.11)
on: Sun Mar 9 03:02:10 EST 2003
ya but he is doing good so far,he is the most talk's out m.d in chennai now.....
- From: neha (@ 210.214.3.11)
on: Sun Mar 9 03:03:57 EST 2003
ya but he is doing good so far,he is the most talk'd out m.d in chennai now.....
- From: Unhappy Filmfan (@ 62.199.220.2)
on: Thu Mar 13 04:48:22 EST 2003
Yesteryear: MSV
Today: None
Tomorrow: None
Tamil audince give a hack about who composes the song as long as they like it
- From: Deepak (@ )
on: Sat Apr 5 01:04:54 EST 2003
Yesterday - Illayarajah
Today - Illayarajah
Tomorrow - Illayarajah
- From: Ruben (@ 210.186.60.28)
on: Sat Apr 5 03:48:52 EST 2003
Yesterday - MSV
Today - ARR
Tommorow - GWA
Let us erase IR from memory and have an unblemished history.
- From: God! (@ 209.197.174.69)
on: Sat Apr 5 04:17:48 EST 2003
ARR FOREVER!
- From: John (@ 209.197.174.69)
on: Sat Apr 5 04:19:10 EST 2003
Tomorrow:>
Who is he?
http://www.kapileshwaronline.com
- From: True (@ 202.156.2.211)
on: Sat Apr 5 05:48:38 EST 2003
Come ppl... clear cut, YSR is juz copyin ARR tunes. Kadhal kondaen, 18 vayasil - ARR's bailamore. Even winner, eyeum - ARR's Ye ye enachu. YSR even copied anggun song in kadhal kondaen. And his thulluvathoa illamai - ithu kadhala...damn... from craig david - fill me in. Wait thas more... Punnagai poovae - en kathal similar in blue - too close. Cant u ppl c. He's nt creative enuff... To hell wif YSR!!!
- From: IR`S TRUE FAN (@ 210.187.176.151)
on: Sat Apr 5 06:26:46 EST 2003
4 MD`s ruled TFM according to their time.
1950`s-G.RAMANATHAN
1960`S-M.S.VISVANATHAN(until mid 70`s)
1976-TODAY & FOREVER-MAESTRO ILAIYARAAJA
1992-TODAY-ARR(2nd TO MAESTRO ILAIYARAAJA,THE GREAT!)
TODAY-FUTURE-YUVAN SHANKAR RAAJA(ILAIYARAAJA`S TALENTS STILL COMES OUT OF HIS SON)
TRULY YSR IS THE FUTURISTIC MD.
- From: IR`S TRUE FAN (@ 210.187.176.151)
on: Sat Apr 5 06:27:50 EST 2003
4 MD`s ruled TFM according to their time.
1950`s-G.RAMANATHAN
1960`S-M.S.VISVANATHAN(until mid 70`s)
1976-TODAY & FOREVER-MAESTRO ILAIYARAAJA
1992-TODAY-ARR(2nd TO MAESTRO ILAIYARAAJA,THE GREAT!)
TODAY-FUTURE-YUVAN SHANKAR RAAJA(ILAIYARAAJA`S TALENTS STILL COMES OUT OF HIS SON)
TRULY YSR IS THE FUTURISTIC MD.
- From: IR`S TRUE FAN (@ 210.187.176.151)
on: Sat Apr 5 06:30:26 EST 2003
4 MD`s ruled TFM according to their time.
1950`s-G.RAMANATHAN
1960`S-M.S.VISVANATHAN(until mid 70`s)
1976-TODAY & FOREVER-MAESTRO ILAIYARAAJA
1992-TODAY-ARR(2nd TO MAESTRO ILAIYARAAJA,THE GREAT!)
TODAY-FUTURE-YUVAN SHANKAR RAAJA(ILAIYARAAJA`S TALENTS STILL COMES OUT OF HIS SON)
TRULY YSR IS THE FUTURISTIC MD.YSR IS THE 5th RULING MD.
- From: music than en uyir (@ 210.195.144.153)
on: Sat Apr 5 06:56:12 EST 2003
mother farking child of god damn mother then fark fark fark.....those will think yuvan will be the future......md...........JAI HIND.....and 4 yuvan himself......his standard is juzz ....ok...at times... and good at certain time and useless all the time....i'm using the word fark to replace the 4 letter word...becoz ...itz forbidden
- From: pennathur (@ 65.132.76.112)
on: Sat Apr 5 09:06:51 EST 2003
Fist fights between fans of different musicians is nothing new. According to Ravi Shankar fans of Ustad Allah Rakha and fans of Pandit Kishen Maharaj (repectively of the Patiala and Benaras gharanas) had no love lost for one another. Once when both of them had come to greet Ustad Allahuddin Khan in Calcutta they came to blows and had to be quelled by the police! Thankfully we have webmasters to do that here.
Howewver the moment you start using 4-letter words and maa-behen-baap ki gaaliyan; it indicates that all that music has fallen on deaf ears. Because if music hasn't made you profound and placid there's something wrong with you or the music. The music in these cases is beyond fault - that leaves you know who. Is it possible to say WHY you like a composer and don't like another rather than flying off the handle like this?
- From: ktrajan (@ 128.148.68.57)
on: Sat Apr 5 10:07:15 EST 2003
Hi,
Day before yesterday IR,yesterday ARR,today and tomorrow YSR.
- From: kankan (@ 212.138.47.14)
on: Sat Apr 5 10:19:01 EST 2003
Yesterday ARR, Today ARR and Tomorrow ARR, The Only World Champion From Tamil.
- From: dinesh (@ 210.186.42.40)
on: Sat Apr 5 11:14:24 EST 2003
Yesterday ARR,Today ARR,Tomorrow ARR,Future ARR,Maestro ARR,Briliant ARR,King of kindness ARR,Music Maker ARR,MUSIC IS ARR.....
- From: tranknu (@ 64.246.46.52)
on: Sun Apr 6 08:07:12 EDT 2003
All this seems childish. Let the music speak for itself.
- From: Prabhu (@ 202.54.40.210)
on: Sun Apr 6 23:49:16 EDT 2003
kankan,
u forgot Maria Irudhayam, the carrom world champion from Tamil Nadu :)
- From: Paran (@ 210.193.25.111)
on: Mon Apr 7 08:07:47 EDT 2003
Netru unge tata, indru unge appa, nalaike nee..naalanalaike unge appata...
podango...!!
- From: yous (@ 202.156.2.146)
on: Mon Apr 7 09:26:16 EDT 2003
currently-a r rahman
future-harris jeyaraj
but always a r rahman is the best
ILAIYARAAJA is always the worst
- From: Arjuna (@ 195.92.67.69)
on: Fri Apr 11 00:45:20 EDT 2003
ARR is GOD..IR and VS are als good..
KV Mahadevan,MSV,IR and ARR they are the best music directors ever!! All others cant be even compared to any!!
YS and HJ are kids!!They got to learn a lot..They have no musical depth..Let them give some semi-classical first to prove their capability!
- From: brat (@ 168.122.14.71)
on: Sat Apr 12 00:42:07 EDT 2003
prabhu..that was a good one...he also forgot viswanathan Anand.
- From: J.Ganesh (@ 210.212.253.147)
on: Tue Apr 15 05:05:23 EDT 2003
Hey,
I still know More copy of YSR from ARR.one is Mulpanniyaa from Nandha is came from Ponkaaatilae from Oerae, Kalli adi kalli from Nandha is from Kappal Yeripoiyaachhu from Indian,then Yen kannai from Bala is from En Oerae from Oerae.Naan Vachean from Popcorn is from Yeh Samjigayai Taal. It goes like many film.It is stupid to compare that CopyMusicDirector to ARR.
- From: Paran (@ 203.123.16.3)
on: Tue Apr 15 07:19:50 EDT 2003
athe yennapa Oerae?...
Orisa pakkathile iruka?
oooh...Uyire vaa....
- From: chandrakanthan (@ 61.11.79.192)
on: Mon Apr 21 21:51:53 EDT 2003
ARR is definitely creative, hard working and committed to music. He is a master manipulator of the digital tone banks. Above all he has able marketing managers. We are happy that he almost now represents India. But IR is a composing genius and he is an era.His great compositions came before the digital tone banks arrived.
ckanthan
- From: guna (@ 61.11.79.192)
on: Mon Apr 21 21:55:03 EDT 2003
I fully agree chandran. IR will remain the tallest of all musicians Tamil Nadu ever produced.
- From: jacky (@ 61.11.79.192)
on: Mon Apr 21 22:01:30 EDT 2003
Each musician is unique.Comparisons are only for us. But for me IR is the greatest.
- From: cobra (@ 219.93.209.42)
on: Tue Apr 22 02:16:23 EDT 2003
dei yous rahman pulu inikitha? pudichi umbu avanode pule
- From: cobra (@ 219.93.209.42)
on: Tue Apr 22 02:17:48 EDT 2003
dei Arjuna..rahman god na keda vetti sami kumbidu pule
- From: cobra (@ 219.93.209.42)
on: Tue Apr 22 02:19:09 EDT 2003
my sutu also ARR
- From: Paran (@ 203.123.16.3)
on: Tue Apr 22 03:55:04 EDT 2003
another Anti-ARR behaviour...
good job..weldone...
i just wonder...can anybody tell me how many compositions does Mozart, Bach and beethoven done in their life?..this is a real question..i really wanna know..that's all
- From: H (@ 203.124.234.164)
on: Sat Apr 26 05:44:04 EDT 2003
Read the review of the film, PUNNAGAI POOVAE at Sify.com. They say why Yuvan has copied A R Rahman and why he had to appear in the screen. He has copied ARR manerisms. Read at Sify.com and click on PUNNAGAI POOVAE film review. Read the last few lines.
Yuvan had no reason to come on the screen. He does not have a captivating looks nor any talent like A R Rahman or Ilayaraja. Yuvan you suck like your music, go and try to improve ur music at the studio, don't dare to come before the camera.
- From: Musicfan (@ 217.44.99.215)
on: Sat Apr 26 10:35:31 EDT 2003
H>> Jay?
- From: robert (@ 128.148.68.110)
on: Sat Apr 26 15:22:25 EDT 2003
YSR is inspired by ARR.Listern to the dolna song from parasuram.It is similar to kunnoru poochatti from the movie velai by YSR.
- From: asf (@ 141.151.63.89)
on: Sat Apr 26 17:07:08 EDT 2003
kapileshwar is OK
http://www.kapileshwaronline.com/
- From: Sam (@ 217.44.94.247)
on: Sun Apr 27 01:17:30 EDT 2003
Robert, I think you mean that ARR was inspired by YSR!
- From: Arjuna (@ 195.92.67.76)
on: Sun Apr 27 03:48:32 EDT 2003
Art to heart
By: Khalid Mohammed
April 27, 2003
A bug-eyed waiter at a maharaja's cocktail party swigs a glass of
Scotch-`n'-soda before serving Chivas Regal to the guests.
A nawabi-style novelist conducts an opera in front of a press
conference of carping critics. And a woman, with a bicycle, on the
streets of Prague Czech-mates a man with her take on her everyday
life as a waitress in a waterfront café.
M F Husain's second feature-length film, directed in tandem with his
artist son Owais, is tantalising, teasing and terrific.
It doesn't follow the entrenched rules of film-making, it's cussedly
innovative. And expectedly, it's a visual banquet, the feast for the
eyes achieved by cinematographer Santosh Sivan.
Maqbool Fida and Owais Husain have felicitously collaborated with
Sivan and with A R Rahman whose music score adds that essential extra
dimension to a film which defies the conventional rules.
Having previewed Meenaxi: Tale of Three Cities recently, I can safely
say it a quantum leap ahead from the artist's Gaja Gamini. Here's
another woman of spleen and substance who continues to linger in your
heart and mind longer after the end.
To cubbyhole Meenaxi as an artist's muse – in this case a novelist's –
would perhaps amount to doing her as well as her creator injustice.
Meenaxi is more than that, a woman who infuriates as much as she
inspires the writer.
She throws challenges and wagers instead of being a submissive model
for the writer's story.
Indeed, practically every character in Meenaxi is intriguing and even
at odds with the environment they live in, be it Hyderabad, Jaisalmer
or Prague – the three cities chosen by M F Husain for his people to
trot and canter through, almost like the much-admired mares and
stallions of his paintings.
Before proceeding ahead with the emotional and plot constructs of the
film, it must be said that the work is coherent, accessible and
stimulating.
Marvellously European in its candidness and utterly rooted in the
Indian soil in its surging spirit and high drama, Meenaxi from its
first shot to the last, moves with a puckish spirit, almost as if its
makers were escorting the viewer through a fairground carnival.
Yards of purple and amber cloth flutter in the wind, puppet dolls
wave their arms from the Rajasthan sands and qawwals break forth into
a celebratory chant in a dreamily-lit haveli.
In fact, some of the sequences are so eye-dazzling that you want to
re-experience the grand spread of costumes, set designs (take a bow
Sharmishtha Roy) and camera wizardry.
Is there a formal storyline, though? No and yes. No, if you expect a
simplistic barrage of cause-and-effect sequences. Yes,
overwhelmingly, if you are willing to allow the flow and ebb of the
frames transport you to another realm.
Or initially to Hyderabad, where the Urdu novelist Nawab (Raghuvir
Yadav in form) is about to start on his next popular novel.
Assailed by a mental block, the pages remain blank, aggravated a
great deal by the arrival of an enigmatic woman (Tabu) who requests
him to pen her story.
The location shifts to the sun-baked Jaisalmer, where the woman
reappears as an activist, engaged in water conservation.
She defies the writer constantly.
Also daunting is the presence of a roguish young man (debutant Kunal
Kapoor) who appears to be just another boozard motor garage mechanic -
but with a past.
Husain's easel then flies off to Prague. Here the writer meets Maria
(Tabu assuming another avatar), a girl who slaves at a nine to five
job, pursuing her love for stage acting during her off-hours.
The writer is baffled. In his quest for the perfect woman for his
perfect novel, he is never sure how to start on, let alone, complete
his novel.
Nawab is wracked with doubts to such an extent that he is ill and on
his death-bed. Will he let the woman overpower his skills as a
writer?
The question dangles in the air, almost as if to say that no true
creative endeavour… or love… comes easy. Sometimes you can express
yourself, sometimes you can perish in the attempt.
Nowhere is there a flaunting of the autobiographical element. At
most, the Maria chapter can be overtly related to the artist's
memories of a woman he knew in Czechoslovkia several moons ago.
Rather, the screenplay seeks to word an essay through the medium of
the camera, and that is the primal strength of Meenaxi.
Tabu, who is splendidly photographed, infuses nuances galore and
restrained drama in her role(s). As always you can't take your eyes
off her. Kunal Kapoor has a gentle, subtle screen presence. The film,
however, is unthinkable without the genius inputs of Sivan and the
excellent music score by Rahman.
M F Husain is always full of surprises. Accompanied by his son,
Owais, he has done it again. Like his canvases, this film draws you
to its colours, zest for life and draughtsmanship.
You may certainly have questions to ask of the film at the end of the
experience. But then what use is cinema or art, if it doesn't entice
questions?
- From: neha-loves yuvan.. (@ 210.214.3.62)
on: Tue Apr 29 01:35:55 EDT 2003
hey H if u think he's not good in coming on the screen its ok..i think u should go to one of the theaters in chennai so you can understand whats happening here,he has a good response when he comes... so im not saying anything about ARR but dont talk bad about YSR look at his age and what he is doing and look at what your doing,posting comments,deegrading the talented one..!! so go out and get some job...
yuvan your great..!!.
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Database: Main - Singers - Music Director's - Lyricists Fun: PP - EKB - Relay - Satires - Quiz